31/12/2021

E flat Mixolydian scale, pattern 41, derived from Berklee fingering patterns

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A flat Major scale, pattern 14, Berklee fingering patterns

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30/12/2021

B flat Major triad arpeggios, 1st inversion, pattern 33, Berklee type 1A

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F Major 7 chord arpeggios, pattern 34, Berklee type 3

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29/12/2021

A flat Major scale, pattern 12, Berklee fingering patterns

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B flat Major arpeggios slide exercise, pattern 53

  • Pattern 53 is explained [here].

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28/12/2021

A Major scale, pattern 17, open position

  • Pattern 17 is explained [here].

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G flat Major triad arpeggios with open voicing, pattern 33, Berklee type 1A

  • Pattern 33 is explained [here].
  • Berklee type 1A refers to fingering pattern 1A from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Please note: C flat is to be played as B.

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25/12/2021

D sharp Phrygian scale, pattern 41, 3 notes per string

  • Pattern 41 is explained [here].

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G flat Major scale, pattern 14, CAGED system

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24/12/2021

C Harmonic Major scale, open position

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A flat Major triad arpeggios, pattern 31, Berklee type 1A

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23/12/2021

D Melodic Minor (Ascending) triad arpeggios, pattern 33, open position

  • Pattern 33 is explained [here].
  • On this page is explained why this melodic minor exercise is available in two versions.

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B flat Ionian scale, pattern 41, 3 notes per string

  • Pattern 41 is explained [here].

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21/12/2021

20/12/2021

D flat Major scale, pattern 12, CAGED system

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F Major scale, pattern 13, 3 notes per string

  • Pattern 13 is explained [here].

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19/12/2021

E flat Major triad arpeggios, pattern 31, Berklee type 1B

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G Major triad arpeggios, pattern 33, Berklee type 1

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18/12/2021

E flat Major scale, pattern 11, CAGED system

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F Melodic Minor (Ascending) triad arpeggios with open voicing, pattern 33, open position

  • On this page is explained why this melodic minor exercise is available in two versions.
  • Pattern 33 is explained [here].
  • In chords with open voicing the notes are spread out over a wider range.

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17/12/2021

Basic exercise, pattern 61, fingers 4312

  • Pattern 61 is explained [here].

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E flat Mixolydian, quartal triad arpeggios, 1st inversion, pattern 33, open position

  • For some background information on Quartal harmony, see this link.
  • The reason for putting this exercise in context of Quartal harmony is that suspended fourth chords are all first inversions of Quartal chords. For example, Asus4 is E Quartal 1st inversion, and so on.
  • Pattern 33 is explained [here].

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16/12/2021

15/12/2021

C Major triad arpeggios, pattern 33, Berklee type 2

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A Locrian scale, pattern 41, open position

  • Pattern 41 is explained [here].

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14/12/2021

B flat Ionian scale, pattern 41, derived from Berklee fingering patterns

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C Major I-IV-V arpeggios, pattern 23

  • Pattern 23 is explained [here].

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13/12/2021

C Aeolian scale, pattern 41, open position

  • Pattern 41 is explained [here].

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D Harmonic Minor triad arpeggios, pattern 33, open position

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12/12/2021

C sharp Phrygian scale, pattern 41, derived from Berklee fingering patterns

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A Major scale, pattern 13, CAGED system

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11/12/2021

C Major triad arpeggios, 2nd inversion, pattern 31, open position

  • Pattern 31 is explained [here].

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B Major triad arpeggios, pattern 31, Berklee type 4

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09/12/2021

G Major scale, pattern 12, open position

  • Pattern 12 is explained [here].

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G flat Major 7 chord arpeggios, pattern 32, Berklee type 1

  • Pattern 32 is explained [here].
  • Berklee type 1 refers to fingering pattern 1 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Please note: C flat is to be played as B.

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08/12/2021

G flat Major scale, pattern 13, Berklee fingering patterns

  • The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Pattern 13 is explained [here].
  • Please note: C flat is to be played as B.

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E flat Major scale, pattern 12, 3 notes per string

  • Pattern 12 is explained [here].

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07/12/2021

D Harmonic Minor scale, derived from Berklee fingering patterns

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C sharp Harmonic Minor triad arpeggios, pattern 31, open position

  • Pattern 31 is explained [here].
  • Please note: B sharp is to be played as C.

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