E flat Major scale, pattern 16, Berklee fingering patterns

• Pattern 16 is explained [here].
• The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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E Harmonic Minor triad arpeggios, pattern 31, derived from G Major Berklee type 2

• Pattern 31 is explained [here].
• Berklee type 2 refers to fingering pattern 2 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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E flat Major I-IV-V arpeggios, pattern 22

• Pattern 22 is explained [here].

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D Melodic Minor (Ascending) scale, pattern 11, open position

• Pattern 11 is explained [here].
• On this page is explained why this melodic minor exercise is available in two versions.

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B Major chord, arpeggio fingering comparison

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F Major 7 chord arpeggios, pattern 34, Berklee type 1A

• Pattern 34 is explained [here].
• Berklee type 1A refers to fingering pattern 1A from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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G flat Major scale, CAGED system

• The CAGED system is a popular system for fingering patterns. You can find a lot of information and opinions on this sytem on the internet.
  
• Please note: C flat is to be played as B.

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D flat Major triad arpeggios, 1st inversion, pattern 31, Berklee type 1

• Pattern 31 is explained [here].
• Berklee type 1 refers to fingering pattern 1 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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D flat Major Pentatonic scale, 3 notes per string

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G Major arpeggios slide exercise, pattern 53

• Pattern 53 is explained [here].

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B flat Mixolydian scale, pattern 41, derived from Berklee fingering patterns

• Pattern 41 is explained [here].
• The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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E flat Major 7 chord arpeggios, pattern 32, Berklee type 3

• Pattern 32 is explained [here].
• Berklee type 3 refers to fingering pattern 3 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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G Melodic Minor (Ascending) triad arpeggios, pattern 33, derived from B flat Major Berklee type 1B and G Major Berklee type 2

• On this page is explained why this melodic minor exercise is available in two versions.
• Berklee types 1B and 2 refer to fingering patterns 1B and 2 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
• Pattern 33 is explained [here].

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D Major scale, pattern 15, open position

• Pattern 15 is explained [here].

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D Major Pentatonic scale, pattern 13, 2 notes per string

• Pattern 13 is explained [here].

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C Major triad arpeggios, 2nd inversion, pattern 31, Berklee type 1

• Pattern 31 is explained [here].
• Berklee type 1 refers to fingering pattern 1 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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C Major 7 chord arpeggios, pattern 32, Berklee type 1B

• Pattern 32 is explained [here].
• Berklee type 1B refers to fingering pattern 1B from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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A Major triad arpeggios, 1st inversion, pattern 33, Berklee type 1A

• Pattern 33 is explained [here].
• Berklee type 1A refers to fingering pattern 1A from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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A flat Dorian scale, open position, pattern 41

• Pattern 41 is explained [here].

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B Major scale, pattern 13, 3 notes per string

• Pattern 13 is explained [here].

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A Major 7 chord arpeggios, pattern 34, Berklee type 3

• Pattern 34 is explained [here].
• Berklee type 3 refers to fingering pattern 3 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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B flat Major 7 chord arpeggios, pattern 34, Berklee type 4A

• Pattern 34 is explained [here].
• Berklee type 4A refers to fingering pattern 4A from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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C Major scale, pattern 17, open position

• Pattern 17 is explained [here].

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B Major Pentatonic scale, pattern 11, 3 notes per string

• Pattern 11 is explained [here].

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D Phrygian scale, pattern 41, 3 notes per string

• Pattern 41 is explained [here].

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G Major I-IV-V arpeggios, pattern 24

• Pattern 24 is explained [here].

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A flat Harmonic Major scale, open position

• Please note: F flat is to be played as E.

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Basic exercise, pattern 62, fingers 2134

• Pattern 62 is explained [here].

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B flat Major triad arpeggios with open voicing, pattern 33, Berklee type 4A

• Pattern 33 is explained [here].
• Berklee type 4A refers to fingering pattern 4A from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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B Major Pentatonic scale, pattern 12, 3 notes per string

• Pattern 12 is explained [here].

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B Major triad arpeggios, 1st inversion, pattern 31, Berklee type 1B

• Pattern 31 is explained [here].
• Berklee type 1B refers to fingering pattern 1B from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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E flat Melodic Minor (Ascending) triad arpeggios, pattern 33, open position

• Pattern 33 is explained [here].
• On this page is explained why this melodic minor exercise is available in two versions.

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G flat Major, 5th chords, slide exercise, pattern 51

• Pattern 51 is explained [here].
• Please note: C flat is to be played as B.

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A Mixolydian scale, pattern 41, open position

• Pattern 41 is explained [here].

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D Ionian scale, pattern 41, 3 notes per string

• Pattern 41 is explained [here].

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E Locrian scale, pattern 41, open position

• Pattern 41 is explained [here].

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B flat Major triad arpeggios, 1st inversion, pattern 33, open position

• Pattern 33 is explained [here].

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B flat Harmonic Minor scale, pattern 11, derived from Berklee fingering patterns

• Pattern 11 is explained [here].
• The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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D Phrygian scale, pattern 41, derived from Berklee fingering patterns

• Pattern 41 is explained [here].
• The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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A Mixolydian, quartal triad arppegios, 1st inversion, pattern 33, open position

• For some background information on Quartal harmony, see this link.
• The reason for putting this exercise in context of Quartal harmony is that suspended fourth chords are all first inversions of Quartal chords. For example, Asus4 is E Quartal 1st inversion, and so on.
• Pattern 33 is explained [here].

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D flat Major Blues scale, derived from D flat Major Pentatonic

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A Major scale, pattern 14, 3 notes per string

• Pattern 14 is explained [here].

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F Harmonic Minor triad arpeggios, pattern 31, derived from A flat Major Berklee type 4

• Berklee type 4 refers to fingering pattern 4 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
• Pattern 31 is explained [here].

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E Melodic Minor (Ascending) scale, derived from Berklee fingering patterns

• On this page I explain why this melodic minor exercise is available in two versions.
• The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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C Major scale, pattern 13, Berklee fingering patterns

• The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
• Pattern 13 is explained [here].

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G Harmonic Minor 7 chord arpeggios, pattern 32, open position

• Pattern 32 is explained [here].

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D Major chord arpeggios, full range (within position)

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G Major triad arpeggios, pattern 31, Berklee type 1A

• Pattern 31 is explained [here].
• Berklee type 1A refers to fingering pattern 1A from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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G Ionian scale, pattern 41, open position

• Pattern 41 is explained [here].

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C sharp Phrygian scale, pattern 41, open position

• Pattern 41 is explained [here].

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