31/01/2022

C sharp Harmonic Major scale, open position

  • Please note: E sharp is to be played as F, B sharp is to be played as C.

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E Major scale, 4 notes per string

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30/01/2022

B flat Melodic Minor (Ascending) triad arpeggios, pattern 33, open position

  • Pattern 33 is explained [here].
  • On this page is explained why this melodic minor exercise is available in two versions.

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F Major triad arpeggios, 1st inversion, pattern 33, Berklee type 4A

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28/01/2022

A flat Major triad arpeggios, pattern 31, Berklee type 4

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A Major scale, pattern 11, 3 notes per string

  • Pattern 11 is explained [here].

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27/01/2022

D Harmonic Minor scale, pattern 11, derived from Berklee fingering patterns

  • Pattern 11 is explained [here].
  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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B Diminished scale

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26/01/2022

B flat Major I-IV-V arpeggios, pattern 24

  • Pattern 24 is explained [here].

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E Major 7 chord arpeggios, pattern 32, Berklee type 3

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24/01/2022

23/01/2022

D flat Major arpeggios slide exercise, pattern 53

  • Pattern 53 is explained [here].

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E Major scale, pattern 13, CAGED system

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22/01/2022

A flat Major triad arpeggios, pattern 33, Berklee type 2

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D Mixolydian, quartal triad arpeggios, 1st inversion, pattern 33, open position

  • For some background information on Quartal harmony, see this link.
  • The reason for putting this exercise in context of Quartal harmony is that suspended fourth chords are all first inversions of Quartal chords. For example, Asus4 is E Quartal 1st inversion, and so on.
  • Pattern 33 is explained [here].

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21/01/2022

A flat Major triad arpeggios, pattern 31, Berklee type 2

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D flat Major scale, pattern 11, CAGED system

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20/01/2022

F Major Blues scale, derived from F Major Pentatonic

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G Major triad arpeggios with open voicing, pattern 33, open position

  • Pattern 33 is explained [here].
  • In chords with open voicing the notes are spread out over a wider range.

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18/01/2022

F sharp Harmonic Minor triad arpeggios, pattern 31, derived from Ab Major Berklee type 2

  • Pattern 31 is explained [here].
  • Berklee type 2 refers to fingering pattern 2 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Please note: E sharp is to be played as F.

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E Major scale, pattern 13, 3 notes per string

  • Pattern 13 is explained [here].

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15/01/2022

C sharp Melodic Minor (Ascending) triad arpeggios, pattern 33, derived from E Major Berklee type 1B and C# Major Berklee type 2

  • On this page is explained why this melodic minor exercise is available in two versions.
  • Berklee types 1B and 2 refer to fingering patterns 1B and 2 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Pattern 33 is explained [here].
  • Please note: B sharp is to be played as C.

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C Major triad arpeggios with open voicing, pattern 33, Berklee type 2

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14/01/2022

E flat Melodic Minor (Ascending) triad arpeggios with open voicing, pattern 33, open position

  • On this page is explained why this melodic minor exercise is available in two versions.
  • Pattern 33 is explained [here].
  • In chords with open voicing the notes are spread out over a wider range.

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D flat Major scale, pattern 15, Berklee fingering patterns

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13/01/2022

B flat Major 7 chord arpeggios, pattern 32, Berklee type 1B

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B Mixolydian scale, pattern 41, open position

  • Pattern 41 is explained [here].

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11/01/2022

09/01/2022

C Major scale, pattern 14, 3 notes per string

  • Pattern 14 is explained [here].

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E Major triad arpeggios, 1st inversion, pattern 31, Berklee type 1B

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08/01/2022

Basic exercise, pattern 62, fingers 2413

  • Pattern 62 is explained [here].

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E flat Major triad arpeggios, 2nd inversion, pattern 31, Berklee type 1

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07/01/2022