31/07/2021

G flat Ionian scale, pattern 41, derived from Berklee fingering patterns

  • Pattern 41 is explained [here].
  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Please note: C flat is to be played as B.

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E Major triad arpeggios, 1st inversion, pattern 33, Berklee type 4A

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29/07/2021

C sharp Phrygian scale, pattern 41, 3 notes per string

  • Pattern 41 is explained [here].

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C Major scale, pattern 14, Berklee fingering patterns

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27/07/2021

25/07/2021

A flat Major scale, pattern 11, CAGED system

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B Major scale, pattern 14, CAGED system

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24/07/2021

B flat Major scale, pattern 11, Berklee fingering patterns

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C Mixolydian, quartal triad arpeggios, 1st inversion, pattern 33, open position

  • For some background information on Quartal harmony, see this link.
  • The reason for putting this exercise in context of Quartal harmony is that suspended fourth chords are all first inversions of Quartal chords. For example, Asus4 is E Quartal 1st inversion, and so on.
  • Pattern 33 is explained [here].

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23/07/2021

F Dorian scale, pattern 41, derived from Berklee fingering patterns

  • Pattern 41 is explained [here].
  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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D flat Major triad arpeggios with open voicing, pattern 33, Berklee type 2

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22/07/2021

B Harmonic Minor scale, derived from Berklee fingering patterns

  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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F Major scale, pattern 12, CAGED system

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21/07/2021

20/07/2021

D flat Major scale, pattern 11, 3 notes per string

  • Pattern 11 is explained [here].

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A flat Major triad arpeggios, pattern 33, Berklee type 4

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18/07/2021

F Major scale, pattern 12, open position

  • Pattern 12 is explained [here].

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B flat Major scale, pattern 12, Berklee fingering patterns

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17/07/2021

B Major triad arpeggios, pattern 33, Berklee type 1A

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A Harmonic Minor scale, pattern 11, derived from Berklee fingering patterns

  • Pattern 11 is explained [here].
  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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16/07/2021

F Phrygian scale, pattern 41, derived from Berklee fingering patterns

  • Pattern 41 is explained [here].
  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).

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C Major triad arpeggios, 1st inversion, pattern 31, Berklee type 1

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15/07/2021

E Major scale, pattern 13, Berklee fingering patterns

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F Major triad arpeggios, pattern 33, Berklee type 4A

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14/07/2021

D flat Major triad arpeggios, pattern 33, Berklee type 1B

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B Major 7 chord arpeggios, pattern 32, open position

  • Pattern 32 is explained [here].

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12/07/2021

E Major scale, Berklee fingering patterns

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https://drive.google.com/open?id=1YYs2OC8jb82ZrycTj0ONCsPHIEFQELKn

D Dorian scale, pattern 41, 3 notes per string

  • Pattern 41 is explained [here].

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11/07/2021

E Dorian scale, open position, pattern 41

  • Pattern 41 is explained [here].

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E Melodic Minor (Ascending) scale, 3 notes per string

  • On this page is explained why this melodic minor exercise is available in two versions.

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09/07/2021

D flat Major scale, CAGED system

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https://drive.google.com/open?id=11xi47WJW5fF3ng27030JOKH7XBmYh4be

E Melodic Minor (Ascending) scale, pattern 11, open position

  • Pattern 11 is explained [here].
  • On this page is explained why this melodic minor exercise is available in two versions.

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07/07/2021

F Major 7 chord arpeggios, pattern 34, open position

  • Pattern 34 is explained [here].

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G sharp Harmonic Minor triad arpeggios, pattern 31, derived from B Major Berklee type 2

  • Pattern 31 is explained [here].
  • Berklee type 2 refers to fingering pattern 2 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Please note: F double sharp is to be played as G.

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