31/05/2022

C Major triad arpeggios, pattern 31, Berklee type 4

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G Major triad arpeggios, 1st inversion, pattern 33, Berklee type 1A

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30/05/2022

A Ionian scale, pattern 41, derived from Berklee fingering patterns

  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Pattern 41 is explained [here].

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F Lydian scale, pattern 41, derived from Berklee fingering patterns

  • Pattern 41 is explained [here].

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29/05/2022

G Major triad arpeggios, pattern 33, Berklee type 2

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C Lydian scale, pattern 41, 3 notes per string

  • Pattern 41 is explained [here].

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28/05/2022

E flat Major triad arpeggios, 1st inversion, pattern 31, Berklee type 4

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A Harmonic Minor triad arpeggios, pattern 31, derived from C Major Berklee type 1A

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27/05/2022

A flat Major scale, pattern 15, open position

  • Pattern 15 is explained [here].

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E flat Major triad arpeggios, pattern 33, Berklee type 1B

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25/05/2022

A flat Major scale, pattern 15, Berklee fingering patterns

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F Major Pentatonic scale, pattern 12, 3 notes per string

  • Pattern 12 is explained [here].

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23/05/2022

D flat Mixolydian, quartal triad arpeggios, 1st inversion, pattern 33, open position

  • For some background information on Quartal harmony, see this link.
  • The reason for putting this exercise in context of Quartal harmony is that suspended fourth chords are all first inversions of Quartal chords. For example, Asus4 is E Quartal 1st inversion, and so on.
  • Pattern 33 is explained [here].
  • Please note: C flat is to be played as B.

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A flat Ionian scale, pattern 41, 3 notes per string

  • Pattern 41 is explained [here].

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21/05/2022

E flat Major triad arpeggios, 1st inversion, pattern 31, Berklee type 1B

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B Harmonic Minor triad arpeggios, pattern 33, open position

  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Pattern 33 is explained [here].

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20/05/2022

D flat Major triad arpeggios, pattern 31, Berklee type 3

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Basic exercise, pattern 62, fingers 4312

  • Pattern 62 is explained [here].

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18/05/2022

B Major I-IV-V arpeggios, pattern 24

  • Pattern 24 is explained [here].

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G flat Major scale, pattern 11, 3 notes per string

  • Pattern 11 is explained [here].
  • Please note: C flat is to be played as B.

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17/05/2022

B Harmonic Minor scale, pattern 11, open position

  • Pattern 11 is explained [here].

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A flat Harmonic Major scale, derived from Berklee fingering patterns

  • The fingering patterns of this exercise are based on the Berklee fingering patterns. The Berklee fingering patterns are from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Please note: F flat is to be played as E.

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16/05/2022

C Major I-IV-V arpeggios, pattern 22

  • Pattern 22 is explained [here].

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G sharp and A flat Melodic Minor (Ascending) triad arpeggios with open voicing, pattern 33, open position

  • On this page is explained why this melodic minor exercise is available in two versions.
  • Pattern 33 is explained [here].
  • In chords with open voicing the notes are spread out over a wider range.
  • Please note: C flat is to be played as B, E sharp is to be played as F, F double sharp is to be played as G.

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15/05/2022

D Major triad arpeggios, 1st inversion, pattern 31, Berklee type 1

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B Major 7 chord arpeggios, pattern 34, Berklee type 4A

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14/05/2022

13/05/2022

A Major scale, pattern 14, CAGED system

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G flat Major 7 chord arpeggios, pattern 34, Berklee type 3

  • Pattern 34 is explained [here].
  • Berklee type 3 refers to fingering pattern 3 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Please note: C flat is to be played as B.

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12/05/2022

A flat Major 7 chord arpeggios, pattern 34, Berklee type 1A

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E Major scale, pattern 15, CAGED system

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11/05/2022

E Major triad arpeggios with open voicing, pattern 33, Berklee type 4A

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G sharp and A flat Melodic Minor (Ascending) triad arpeggios, pattern 33, derived from B Major Berklee type 1B and A flat Major Berklee type 2

  • On this page is explained why this melodic minor exercise is available in two versions.
  • Berklee types 1B and 2 refer to fingering patterns 1B and 2 from A Modern Method for Guitar (WG Leavitt, Berklee College of Music).
  • Pattern 33 is explained [here].
  • Please note: E sharp is to be played as F, F double sharp is to be played as G, C flat is to be played as B.

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10/05/2022

B Major harmonic thirds scale, pattern 71

  • Pattern 71 is explained [here].

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F Major 7 chord arpeggios, pattern 32, Berklee type 1B

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09/05/2022

B flat Major scale, pattern 16, Berklee fingering patterns

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A Lydian scale, pattern 41, open position

  • Pattern 41 is explained [here].

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07/05/2022

F sharp Harmonic Minor triad arpeggios, pattern 31, open position

  • Pattern 31 is explained [here].
  • Please note: E sharp is to be played as F.

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G Major triad arpeggios, 1st inversion, pattern 33, Berklee type 3

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